The highly anticipated prequel series, NCIS: Origins, continues to delve into the formative years of Leroy Jethro Gibbs, offering viewers a nuanced exploration of the character’s past. The latest episode, "Who’s Gonna Drive You Home?", airing on Tuesday, April 21, serves as a pivotal installment, directly impacting the trajectory of Gibbs’ personal life and his burgeoning understanding of relationships, particularly as foreshadowed by the show’s inherent nature as a prequel to a series that has spanned two decades. This episode significantly advances the narrative, setting the stage for future developments and deepening the audience’s connection with the younger Gibbs, portrayed by Austin Stowell.
The episode intricately weaves together Gibbs’ professional duties with his increasingly complex personal relationships, particularly his marriage to Diane (Kathleen Kenny). The narrative begins with a poignant voiceover from Mark Harmon, the original Gibbs, overlaying a montage that illustrates the challenges faced by Gibbs and Diane in maintaining their long-distance marriage due to her career demands in Los Angeles. Harmon’s narration underscores the emotional toll of their separation, with Gibbs admitting, "It felt like the distance was killing us," a sentiment that resonated even when they were physically together. This depiction of marital strain provides crucial context for Gibbs’ later emotional struggles and his reluctance to fully engage with his past and present.
A significant plot point revolves around the unexpected arrival of Gibbs’ father, Jackson (Robert Taylor), who brings with him Gibbs’ discarded "rules box." This action by Jackson is not merely a plot device but represents a thematic return to Gibbs’ core principles and a potential catalyst for introspection. Jackson’s explanation, "I thought maybe you’d want to have it back now some time has passed," suggests a paternal understanding of Gibbs’ need for grounding, even if Gibbs himself is resistant. The timing of this rediscovery is particularly impactful, occurring as Gibbs is grappling with the complexities of his marriage and his personal identity.
The episode’s plot escalates when Gibbs is assigned a protection detail for Admiral Kane (Brian Letscher), head of NIS, and his wife, portrayed by Alicia Coppola. Coppola’s casting is noteworthy, marking her third appearance within the NCIS universe. Her previous roles include Lieutenant Commander Faith Coleman in JAG‘s NCIS backdoor pilot and three episodes of the original NCIS, followed by FBI Agent Lisa Rand in five episodes of NCIS: Los Angeles. This familiarity with the franchise adds a layer of depth to her presence, and her character’s observations on Admiral Kane’s enduring relationship serve as a subtle contrast to Gibbs’ own marital struggles. The Admiral and his wife’s evident connection after 27 years prompts Lala (Mariel Molino) to question Gibbs about the "secret" to such lasting affection, a question that hangs in the air as Gibbs grapples with his own emotional detachment.
Gibbs’ internal conflict becomes more pronounced as Lala confronts him about his earlier conversation with Diane regarding the rules box. His initial evasiveness, describing them as "just stuff I used to write down, reminders," eventually gives way to a single, resonant rule: "Never take anything for granted." This revelation is particularly significant, as it directly addresses the underlying theme of appreciation and presence that has been absent in his marriage. The conversation takes a more personal turn when Lala inquires about her past involvement with Manny (Miguel Gomez), who is now in witness protection, and the postcard he sent her. This exchange highlights Lala’s own complicated history and her tentative steps toward building a new life, mirroring Gibbs’ own journey of self-discovery.
The episode culminates in a significant rift between Gibbs and Diane, precipitated by Gibbs’ perceived emotional distance. Jackson’s blunt advice to Gibbs, "If you’re not going to love her, you need to be a man and end it," serves as a stark confrontation of the marital breakdown. Diane’s departure and her candid assessment of their relationship, as relayed by Jackson, underscore the depth of their issues. "They both know things aren’t right between them," Jackson relays, revealing Diane’s perception of Gibbs’ emotional unavailability, particularly his reluctance to fully disclose his past trauma, including the murders of his wife Shannon and daughter. Jackson’s assertion that "When you love someone, you tell them who you are" is a profound piece of wisdom that Gibbs struggles to internalize.
Mark Harmon’s closing voiceover provides a somber epilogue to Gibbs and Diane’s story arc within this episode. It is revealed that Diane has moved to Los Angeles permanently, though a formal divorce has not yet been filed. Harmon’s narration reflects on their mutual desire for individual healing and happiness, stating, "She told me she wanted to live life and heal. She wanted me to find someone that made me happy, and I wanted the same thing for her." The poignant admission, "I don’t know why we didn’t file for divorce back then; maybe neither of us wanted to see that final paper saying it was over. But it was over," encapsulates the painful reality of their separation. Harmon’s closing thought, "Much as my dad was a pain in the ass, he was right about Diane and me. I didn’t love her the way I should. Like he always said, you love someone, you tell them who you are," brings the episode’s thematic core full circle.
The episode concludes with Gibbs contemplating the rule "Never take anything for granted," a potent symbol of his evolving understanding of love and commitment. The unresolved romantic tension between Gibbs and Lala is palpable, with the audience left to anticipate a potential kiss, a moment that has yet to materialize even in fantasy. This lingering anticipation fuels viewer engagement and highlights the slow-burn nature of their developing relationship.
In a secondary storyline, Randy (Caleb Foote), an aspiring comedian, experiences a significant career setback when his debut at the Laugh Lodge is preempted by the appearance of Carrot Top. While Randy was set to earn $25 for his performance, the booking of a more established comedian, who had recently appeared on The Tonight Show, underscores the competitive nature of the entertainment industry and provides a touch of levity.
Another touching moment occurs when Franks (Kyle Schmid) discreetly checks in on Lala regarding Manny. Franks, aware of their past relationship, offers support without explicitly revealing his knowledge, emphasizing Lala’s well-being and the closure of that chapter. This interaction highlights the interconnectedness of the characters and the underlying support network within the NCIS: Origins narrative.
The episode prompts reflection from the audience, with a call for comments on viewer reactions, fostering community engagement around the series. NCIS: Origins airs Tuesdays at 9/8c on CBS, continuing its exploration of Gibbs’ early career and personal life. The series, as a prequel, operates with a unique advantage: the audience possesses a degree of foreknowledge about Gibbs’ future. However, the strength of NCIS: Origins lies in its ability to enrich that understanding, presenting the origins of the iconic character with depth, emotional resonance, and a compelling narrative that continues to captivate viewers. The strategic placement of these character-defining moments, such as the rediscovery of the rules box and the unraveling of his first marriage, provides essential context for the seasoned NCIS agent fans have known for years, while simultaneously building a fresh and engaging story for a new generation of viewers.
