Massachusetts is poised to enact significant legislation aimed at curbing exorbitant ticket resale prices and excessive fees, a move championed by Governor Maura Healey and bolstered by the advocacy of chart-topping artist Noah Kahan. The proposed bill, officially titled "An Act Relative to Closing the Great Divide between Ticket Prices and Affordability," or more colloquially "The Great Divide Act," directly confronts the long-standing issue of ticket scalping and market manipulation that has frustrated consumers nationwide. The legislation is notably named after Kahan’s critically acclaimed 2026 album, The Great Divide, which reached number one on the Billboard 200 chart, underscoring the artist’s personal connection to the cause.
At its core, The Great Divide Act proposes a stringent cap on the resale price of concert tickets, limiting them to no more than 110% of the original face value. This measure seeks to prevent opportunistic resellers from inflating prices to astronomical levels, thereby making live events more accessible to the average fan. Furthermore, the bill addresses the ancillary costs associated with ticket resale by capping service fees and other charges imposed by secondary ticketing platforms. These fees will be restricted to a maximum of 10% of the total ticket price for both sporting and non-sporting events. This dual approach aims to tackle both the base price inflation and the accumulated costs that often push ticket prices beyond the reach of many consumers.
Governor Healey’s Rationale and Kahan’s Endorsement
Governor Healey articulated the driving force behind the proposed legislation, emphasizing the widespread frustration experienced by Massachusetts residents. "Far too many Massachusetts residents have experienced the pain of being excited to buy tickets to see their favorite singer or sports team, only to realize that resale prices and fees have driven up the cost to outrageous levels," Governor Healey stated. She further highlighted instances of fraudulent ticket transfers, adding, "Or how about when you do purchase tickets from a reseller, only to get to the venue to realize the seller never actually transfers them to you? Enough is enough. We are taking action to lower ticket resale prices so Massachusetts fans can better afford to see their favorite performer or team."

Noah Kahan, a Massachusetts native and a powerful voice in the music industry, virtually addressed the press conference to announce the bill, reinforcing his commitment to consumer protection in the live entertainment market. Kahan, who recently achieved a significant milestone by becoming the first artist to headline four consecutive sold-out shows at Boston’s iconic Fenway Park, expressed his enthusiastic support. "I heard about what you’re announcing today, and I just wanted to let you know how excited I am about it," Kahan said via video. "The artist community and fans will greatly benefit from limiting ticket scalping and the sales of speculative tickets. I love my fans and want to protect them however I can. Artists alone could not tackle the market manipulation of secondary resellers. So, thank you so much for making this a priority in Massachusetts." His involvement lends considerable weight to the bill, drawing attention to the issue from both his extensive fanbase and the broader entertainment industry.
A Growing National Movement for Ticketing Reform
The introduction of The Great Divide Act in Massachusetts is not an isolated incident but rather part of a burgeoning national trend towards regulating the ticketing industry. Kahan has previously been a vocal advocate for similar legislation in his home state of Vermont. In late May, Vermont Governor Phil Scott signed a resale cap bill into law, making it the second state in the nation, following Maine, to enact such a measure. This signifies a growing bipartisan consensus on the need for consumer protections in the ticketing market.
The momentum for ticketing reform has gained significant traction across the United States. This year alone, more than 20 other states have introduced consumer protection bills related to ticketing practices. Illustrating the expanding scope of these efforts, the Washington, D.C. Council recently passed its own version of ticketing reform, the RESALE Act, which aims to regulate the ticketing market within the nation’s capital. This widespread legislative activity indicates a systemic recognition of the problems associated with opaque and exploitative ticketing practices.
Key Provisions and Potential Impact of The Great Divide Act
Beyond the primary resale price cap, The Great Divide Act includes several other crucial provisions designed to enhance transparency and fairness. Notably, the bill would ban the sale of speculative tickets. This practice, often referred to as "paperless scalping," involves resellers listing tickets they do not yet possess, creating uncertainty and potential for fraud. By prohibiting this, the act aims to ensure that tickets listed for resale are genuinely available.

Furthermore, the legislation targets deceptive resale websites that falsely claim affiliation with artists or venues. Such misrepresentations can mislead consumers into believing they are purchasing directly from legitimate sources, only to encounter inflated prices or unreliable services. The act seeks to ensure consumers can trust the platforms they use to purchase tickets.
The proposed resale cap would apply broadly to all events unless an artist or venue explicitly opts out and authorizes a higher resale cap through a written agreement. This provision acknowledges the autonomy of artists and venues while establishing a default protective measure for consumers. It allows for flexibility in specific contractual arrangements but prioritizes consumer affordability as the standard.
The Legislative Journey Ahead
Following its introduction, The Great Divide Act will now proceed through the Massachusetts legislative process. It will be subject to review and consideration by both the state’s House of Representatives and the Senate. For the bill to become law, it must successfully navigate these chambers, potentially undergoing amendments and debates before receiving final approval. The comprehensive nature of the bill and the high-profile support it has garnered suggest a strong possibility of passage, although the legislative journey is often complex and unpredictable.
The implications of this legislation, if enacted, could extend beyond Massachusetts. As a major state with a vibrant live entertainment scene, its adoption of robust ticketing regulations could serve as a model for other states still contemplating similar measures. The success of The Great Divide Act could further embolden consumer advocacy groups and artists across the country to push for similar protections, potentially leading to a nationwide shift in how tickets are bought, sold, and resold. The fight for fair and affordable access to live events is gaining momentum, and Massachusetts is now at the forefront of this critical movement.

