Briarcliff Entertainment has officially released the high-tension trailer and promotional poster campaign for Drag, an upcoming dark comedy thriller that promises to inject a twisted, claustrophobic narrative into the early theatrical calendar. Scheduled to hit US cinemas on January 29, 2027, the film marks the feature-length directorial debut of filmmakers Raviv Ullman and Greg Yagolnitzer, best known for their previous collaborative work on Walt Breaks A Cat’s Tail.
The feature centers on a high-stakes, rapidly deteriorating home invasion executed by two estranged sisters with a thoroughly contentious relationship. Starring an ensemble cast led by Lizzy Caplan and Lucy DeVito—daughter of veteran actor and producer Danny DeVito—alongside Christine Ko and John Stamos, the project combines elements of black comedy, physical agony, and psychological suspense. The newly debuted footage offers audiences a glimpse into a narrative where a routine criminal enterprise devolves into an excruciating logistical nightmare.

Plot Mechanics and Premise
The narrative foundation of Drag relies on subverting the traditional home invasion trope through physical vulnerability and escalating interpersonal tension. Caplan and Lucy DeVito portray two sisters whose already strained dynamic is tested to its absolute limit when they target a rural home in upstate New York for a seemingly straightforward burglary.
However, the heist immediately diverges from plan when one of the sisters suffers a severe, debilitating back injury while on the second floor of the residence. Completely immobilized and crippled by excruciating pain, the injured sister becomes a liability, transforming a quick acquisition of valuables into a desperate, agonizing race against time. As the clock ticks down and the imminent return of the property’s owner approaches, the duo is forced to navigate a chaotic, painful, and darkly comical physical extraction process. The trailer’s central tagline—“I think our only option is to drag you out of here”—captures the literal and figurative weight of their predicament, establishing a tone that balances dark humor with genuine peril.
Production Background and Festival Circuit Run
Drag is a DeVito family production, spearheaded by producers Danny DeVito, Lucy DeVito, and Jake DeVito, ensuring a strong familial creative anchor behind the scenes. The film’s path to distribution has been carefully cultivated through the international and domestic film festival circuits, allowing the project to build critical momentum prior to its commercial release.

The feature film made its world premiere earlier this year at the 2026 SXSW Film Festival, where its unique blend of dark comedy and thriller mechanics drew notable attention from genre enthusiasts. Following its Austin debut, Drag maintained a robust presence on the festival circuit, securing screenings at several prominent genre and independent showcases, including the Overlook Film Festival, FilmQuest, the prestigious Sitges International Fantastic Film Festival, and Splat!FilmFest. These festival appearances helped establish the film’s reputation as a genre-bending exercise in tension and dark humor, ultimately leading to its acquisition by Briarcliff Entertainment for a widespread theatrical rollout.
Creative Leadership and Ensemble Cast
For co-directors Raviv Ullman and Greg Yagolnitzer, Drag represents a significant career milestone as they transition from short-form and indie projects to commercial feature filmmaking. Working from a meticulously paced script, the directorial duo sought to maximize the psychological and physical constraints of a single-location setup, leveraging the talents of an experienced cast to elevate the material.
Lizzy Caplan, widely recognized for her acclaimed roles in Party Down, Fatal Attraction, and Castle Rock, brings her signature sharp comedic timing and dramatic intensity to the lead ensemble. She is paired with Lucy DeVito, whose rising cinematic profile is bolstered by this prominent starring role alongside her father’s production backing. The supporting cast adds further commercial and artistic weight to the production, featuring performances by Christine Ko and John Stamos, the latter of whom is expected to subvert audience expectations within the context of the film’s tense narrative structure.

Theatrical Landscape and Strategic Positioning
Briarcliff Entertainment’s decision to slot Drag into a January 29, 2027 release window reflects a strategic approach to counter-programming in the domestic box office market. Traditionally viewed as a quieter corridor for major studio blockbusters, the month of January has increasingly become a viable marketplace for distinctive independent thrillers, horror films, and mid-budget dark comedies that appeal to dedicated genre audiences looking for alternative cinematic options.
Industry analysts note that films originating from successful festival runs often benefit from targeted theatrical distribution strategies, allowing word-of-mouth momentum to drive ticket sales. By positioning Drag at the tail end of January, Briarcliff Entertainment aims to capture audiences seeking high-concept storytelling and suspense following the conclusion of the major holiday movie season.
Market Implications and Audience Reception
As the theatrical release date approaches, initial audience and critical reactions to the promotional materials suggest strong curiosity surrounding the film’s tonal balance. The combination of body horror elements—exemplified by the crippling back injury—with dark comedic dialogue points to a cinematic tradition that favors irony and escalating panic over straightforward jump scares.

The involvement of recognizable talent such as Lizzy Caplan and John Stamos, combined with the indie credibility established by Ullman, Yagolnitzer, and the DeVito production team, provides Drag with a diverse promotional footprint. Whether the film can successfully translate its festival-circuit goodwill into mainstream box office success will be a key storyline to watch when Briarcliff Entertainment brings the title to US theaters early next year.
